Book 1. Greek Alphabet. Book 2. 14 Alphabets & The Metousiotis. Book 3. PhD Dissertation Plan

Book 1: According to the hypothesis, every letter of a word, except for the sound of a voice, gives meaning. The meaning comes from reading the letters of the word. Also, the letters are placed on the circle (24, 27, 30, 36, 40 of equidistant points) and show geometric correlations (angles and straight segments) with each other. Every word creates a zigzag line, creating isosceles triangles or trapezium etc., in a circle. The words were placed on the circle to further support the case. The letters of the Greek alphabet are said to be based on geometric shapes that condense proportions, semantic structures, and meanings. In the present study, some indications of the correlation between alphabet and geometry were presented. An attempt was made to summarize and compare them with elements of ancient times in order to approach their design to a minimum via suppositions based on assumptions and scientific views. Book 2: I draw 112 words for each of the 14 languages (Arabic, Basque, English, Finnish, French, German, Greek, Hebrew, Icelandic, Italian, Latin, Russian, Spanish, and Swedish) in 112 different circles, and I detect every word creates a zigzag line, as isosceles triangles & trapezium, equilateral & right triangles, pentagrams, etc., in a circle. When I place the letters of the 14 alphabets on a circle (for example 24, 27, 29, 30, 36, etc. of equal distances), I notice geometric relationships (angles and straight segments) between them. First, I note this property in words that were instrumental in establishing philosophical thought and theological belief, but extend to words of secondary significance, like “hello,” “infant,” and “voice.” It is a proven fact that ancient civilizations have employed the letters of alphabets in mathematical operations. Ι conjecture a tacit relationship between alphabets and geometry, which descended from a long-standing habit of engaging in math and geometry. As stated in the hypothesis, Greek capital letters are based on geometric shapes that condense proportions, semantic structures, and meanings (Semiology). I depict and compare them with ancient elements in an attempt to approach their design based on assumptions and scientific principles. In addition, I am seeking numerical and geometrical correlations that contribute to the production of very few words (in Greek and English), such as “Chaos” (ΧΑΟΣ), “Goddess” (ΘΕΑ), “God” (ΘΕΟΣ), “Jove” (ΔΙΑΣ), “Zeus” (ΖΕΥΣ), “Marduk” (ΜΑΡΔΟΥΚ). In the annotation, the terms interrelate with the Fibonacci and Lucas sequences. The process involves the changeover of numbers into letters to ascertain the presence of the chosen words in tables. By coincidence, these words appear in tables and relevant drawings as a result of replacing numerals with letters. My theory is supported by the fact that “Mesopotamians used mathematical tables extensively to relieve the tedium of long calculations” (Joseph, 2011: 142). Among the many problems I encounter are the two arithmetic sequences that have emerged after some alphabets, such as Greek and Hebrew. Despite this, I assume that the two arithmetic sequences existed in ancient times, because other studies tend to support this hypothesis. The aim is to create novel design tools to approach architectural design via the spoken language (“Metousiotis”). The vision (utopia) is to discover a mechanism for word creation and the interrelationship between languages (a common basis). Book 3: PhD Dissertation Plan