I, the Supreme

Latin America has seen, time and again, the rise of dictators, Supreme Leaders possessed of the dream of absolute power, who sought to impose their mad visions of Perfect Order on their own peoples. Latin American writers, in turn, have responded with fictional portraits of such figures, and no novel of this genre is as universally esteemed as Augusto Roa Bastos’s I the Supreme, a book that draws on and reimagines the career of the man who was “elected” Supreme Dictator for Life in Paraguay in 1814. By turns grotesque, comic, and strangely moving, I the Supreme is a profound meditation on the uses and abuses of power―over men, over events, over language itself. From Publishers Weekly In a transcendence of imagination over historical actuality, this novel by the Paraguayan writer (an exile for the past 40 years) portrays the life and approaching death of Jose Gaspar Rodriquez de Francia, raised to the condition of Paraguay’s "Supreme Dictator [...]for Life" in 1814. Power is the ruler’s only interest and goal; he has neither family nor friends, only the constant presence of his secretary-confidant Patino. Bastos’s relentless investigation of the depths of iniquitythat of both the "Supreme" and his antagonistsis an illuminating (and depressing) journey into the night. But the novel’s true achievement is one of tone and voice. The language is a triumph almost as much for the translator as for the author: ebulliently resourceful, brilliant in its vitriol and vituperation, rabelaisian in its extravagance. Clotted with footnotes both factual and invented, filled with allusions and erudite references, the novel has eminent satisfactions for the discriminating reader.